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Sounds like a decent starting point for a sensuous, existential narrative fiction analysis of the female psyche that transcends ideological bounds and probes the deepest recesses of emotion and aesthetics. Imagine how boring life would be, subject to the whims and wills of men who live a city, a country, or a world away from you. Now just imagine if you were a woman, considered property or soon-to-be property, with absolutely no rights except those afforded by your social status. We would probably play card games, make a hallucinogenic poultice, sing, master painting, or fall in love with a member of our own gender. It must have been incredibly boring by you or I's standards, but if humans are exceedingly talented at anything it would be in finding ways to keep ourselves amused. Just take a minute if you have it to imagine the world before television, films, automobiles, and phones. I remember a time long ago when I admonished a friend of mine for excitedly telling me he was going to see the latest TRANSFORMERS flick, he responded by telling me a refrain we've all heard many times before: "I work hard all day, my life is in shambles, and please.for once, FOR ONCE can I PLEASE just go out for a nice night at the movies, buy some popcorn and a coke, and just.shut my brain off? If I could turn back time and ask him some loaded rhetorical questions in response, they would be: Do you practice zen meditation at a D'n'B rave? Do you smoke PCP during a poker match? Do you blow up your house while gardening? As P-Funk used to say, "If you don't like the effects, don't produce the cause." Something deep in our individual DNA or collective subconscious knows that stillness is good for us. Perhaps that's why we watch, say, a French period-set romance film like PORTRAIT OF A LADY ON FIRE. Myopic and fractured as the current socio-political, cultural, or spiritual experience can be today, the Information Age blasted an LED spotlight on every secret garden or Walden and made sure there was a trash can and toilet to accommodate all of the unsanctimonious tourists disrupting the quietude with their camera apps unmuted, and so it seems there aren't so many sacred spaces left to hide in anymore.
PINK JUST LIKE FIRE SONG TRASH FULL
Maybe it was a little more solipsistic or maybe just unfettered by the full scope of reality. Experiences seemed to mean more because every moment and accomplishment wasn't immediately set in the context of a global existence. I suppose one of the biggest differences was that people were naturally a little more physically active and could concentrate for longer amounts of time.
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There was still media bombardment, in albeit a subtler way, but one could avoid cultural desensitization and the resultant ennui much more easily if they wished. Those of us who were around back then can attest to the fact that American life was quite a bit more slow-paced. The energized performance was scattered with her (at this point) expected acrobatic feats.As time marches on, fewer and fewer of us remember what life was like before the internet. The 2012 VMAs saw Pink gliding across the stage on an oversized seat of lips for her debut performance of “Blow Me One Last Kiss” from her sixth studio album, The Truth About Love. In a poll posted by MTV the next day, Pink was voted the best performance of the night.Ģ012: Pink debuts “Blow Me One Last Kiss” from The Truth About Love In an acrobatic take of “Sober,” she showed off the trapeze act that she debuted on tour. In 2009, Pink did the seemingly impossible, outdoing her 2008 performance. Now with bleached blonde hair, the Grammy-winning artist hit all of her high notes while simultaneously sliding down a piece of fabric and dodging pyroblasts of fire.Ģ009: Pink wows audience with acrobatic performance of “Sober” Pink returned to the stage in 2008 with a performance of “So What,” off of Funhouse. With 'What About Us,' It's Time To Recognize Pink As the Juggernaut She IsĢ008: Pink dodges fire during “So What” performance